Driton Selmani – born in 1987, based in Pristina. He completed his MA studies at The Arts University Bournemouth, UK. Selmani’s work presents simple instructions or ideas on how to live, often appearing as sketches or aphorisms written in ordinary places. He approaches the idea of perceived reality by deconstructing the social, political and cultural topics that have been embodied around him, while reflecting on his personal experience and collective history of Kosovo and Yugoslavia. He works across various media. Selmani took part in numerous group exhibitions and had solo shows at Rijeka Contemporary Art Museum in Croatia, Stacion Center For Contemporary Art Pristina, Ludwig Museum in Budapest, Kunstraum Niederosterreich, Vienna, Casa Contemporanea in Sāo Paulo, Mediterranea Biennial 16 in Ancona, 5th Marrakesh Biennial, Fabbrica del Vapore Milan, Bregenz Biennale, National Art Gallery Tirana, Thessaloniki Center of Contemporary Art, and others.
Driton Selmani – born in 1987, based in Pristina. He completed his MA studies at The Arts University Bournemouth, UK. Selmani’s work presents simple instructions or ideas on how to live, often appearing as sketches or aphorisms written in ordinary places. He approaches the idea of perceived reality by deconstructing the social, political and cultural topics that have been embodied around him, while reflecting on his personal experience and collective history of Kosovo and Yugoslavia. He works across various media. Selmani took part in numerous group exhibitions and had solo shows at Rijeka Contemporary Art Museum in Croatia, Stacion Center For Contemporary Art Pristina, Ludwig Museum in Budapest, Kunstraum Niederosterreich, Vienna, Casa Contemporanea in Sāo Paulo, Mediterranea Biennial 16 in Ancona, 5th Marrakesh Biennial, Fabbrica del Vapore Milan, Bregenz Biennale, National Art Gallery Tirana, Thessaloniki Center of Contemporary Art, and others.
SOLO EXHIBITIONS
2021 | Screenshots Of Now, HayArt Cultural Center, Yerevan |
2020 | Love Letters, Ta·da , Copenhagen |
2019 | More And More Thoughts About Other Thoughts, U10 – Belgrade, curated by Lora Sariaslan |
2016 | My country on my back, Exchiesetta, Polignano a Mare, curated by Roberto Lacarbonara |
2015 | Panorama, Tulla Culture Center Tirana, curated by Vincent W.J. van Gerven Oei |
2014 | Strange things happening in the Neighborhood, Hotel Gracanica, Gracanica, curated by Andreas Wormser Daf, Def, Deaf – AfG, Vienna, curated by Albert Allgaier |
2010 | Right turn, turn right, Traffic, Pristina, curated by Lulzim Zeqiri |
GROUP EXHIBITIONS
2022 | Manifesta 14, Pristina Warm. Checking Temperature in Three Acts, Tallinn Print Triennial |
2021 | Back & Forth, HayArt Cultural Center, Yerevan |
2020 | Double Wall Of Silence, ŠKUC Gallery, Ljubljana / Hestia Exhibitions Bureau, Belgrade |
2019 | Long-Distance Relationship, Espace Témoin, Geneva, Switzerland / Motrat Pristina |
2018 | Are Our Memories History?, Muslim Mulliqi Prize, National Gallery, Pristina |
2017 | Existential, Amsterdam Light Festival, 6th Edition, Amsterdam |
2016 | Bregenz Biennale, Bregenz |
2015 | Parallel Sprawl, Modelariumi i Arkitektures, Pristina |
2014 | Let us start from the middle, Tirana Art Lab, Tirana |
2013 | Alternative Nomadi Post Biennal selection, Fabbrica del Vapore, Milan |
2012 | Sex Lives of the Poor and Unknown, Polymer Culture Factory, Tallinn |
2011 | Aberto para Re – Forma, Casa Contemporanea São Paulo |
2010 | Onufri Prize, National Art Gallery, Tirana |
2009 | Open Call 3+4, Stacion Center For Contemporary Art , Pristina |
Works
HOWL
2021
Materials: Engraving on white marble
Dimensions: 100 × 70 × 5 cm
Photo credits:
Duško Miljanić
Binum Silentium
2021
Materials: Hermann tortoise shells, white bean grain
Dimensions: 34 x 17 cm
Photo credits:
Duško Miljanić
Untitled
2018
Materials: Handmade knife, rubber eraser
Dimensions: 21 x 5 x 6 cm
Photo credits:
Majlinda Hoxha
Milk Of Dreams
Installation view
~ Isle Of Thorns ~ GALERiA e BREGDETiT
Curated by Elian Stefa
2021
Materials: Recycled ceramic mosaic
Dimensions: 100 x 70 cm
Photo Credits:
Giulia Dajci
Dial L for Luck
2021
Materials: Acrylic paint on found plastic bag
Dimensions: 65 × 45 cm
Photo credits:
Duško Miljanić
Missed Call
2020
Materials: Acrylic paint on found plastic bag
Dimensions: 65 × 45 cm
Photo credits:
Duško Miljanić
Landlocked Deep Desires
2019
Nuit Blanche, Prizren – Kosovo / 14.09 – 15.11.2029
Installation view: Lumbardhi Cinema, Prizren
Photo credits:
Gëzim Paqarizi
Eye to Eye
2017
Installation view
Amsterdam Light Festival
Materials: Metal, LED lights, fiberglass, special halo system
Dimensions: 11 x 3.5 m
Photo credits:
Konstantin Guz
Courtesy of the Artist & Light Art Collection
Hopes & Fears
2021
Materials: Tailor-made coat, metal rack
Dimensions: 200 × 150 cm
Photo credits:
Duško Miljanić
They Say You Can’t Hold Two Watermelons In One Hand
2012
Materials: C – Print on Aluminum
Dimensions: 150 × 100 cm
Photo credits:
Blerim Racaj
Borders
2019
Installation view
Ostrale Biennale, Dresden
Dimensions: 56 x 34 cm
Materials: acrylic on high-density polyethylene (HDPE) plastic bag
Let's pretend
2020
Installation view
Ostrale Biennale, Dresden
Dimensions: 45 x 33 cm
Materials: acrylic on high-density polyethylene (HDPE) plastic bag
Red Tape
2018
Public Space Intervention
Materials: Printed textile flag
Dimensions: 600×400 cm
Photo Credits:
Atdhe Mulla
Tell me where I am from?
2012
Installation view
U10, Belgrade
Materials: Embroidery on textile
Dimensions: 90×60 cm
Photo Credits:
Majlinda Hoxha
These Stories
2018
Installation view: MM Prize 18, The National Gallery of Kosovo
Single channel Video Installation
Duration: 7min 23sec
Screening ratio: 4:3
Sound: stereo
Photo Credits:
Majlinda Hoxha