Ivana Ivković (*1979, based in Belgrade) gained recognition with her frank and intensely private, self-reflexive approach. Her nomadic style of life – travels, frequent geographical dislocations and exposures to different cultural surroundings, had a major influence over her work, which involves personal history and real and invented memories. The notion of identity and gendered experience are the main elements in her works. In the most unexpected way, Ivković shifts the infamous classical roles between women and men in art, using the naked or semi-naked male body as a performative instrument within orchestrated scenes, tableau vivant. Recently, Ivana Ivković has shown her work at: Humboldt Forum Berlin, Museum of Contemporary Art of Vojvodina, Salon of the Museum of Contemporary Art Belgrade, Biennale Internazionale Donna in Trieste, MuseumsQuartier Vienna, History museum of Bosnia in Sarajevo, Mala voadora Porto, TAF Athens, Kibla portal in Maribor, Slovenia, National Museum of Montenegro, Hošek Contemporary in Berlin, among other places.
Ivana Ivković (*1979, based in Belgrade) gained recognition with her frank and intensely private, self-reflexive approach. Her nomadic style of life – travels, frequent geographical dislocations and exposures to different cultural surroundings, had a major influence over her work, which involves personal history and real and invented memories. The notion of identity and gendered experience are the main elements in her works. In the most unexpected way, Ivković shifts the infamous classical roles between women and men in art, using the naked or semi-naked male body as a performative instrument within orchestrated scenes, tableau vivant. Recently, Ivana Ivković has shown her work at: Humboldt Forum Berlin, Museum of Contemporary Art of Vojvodina, Salon of the Museum of Contemporary Art Belgrade, Biennale Internazionale Donna in Trieste, MuseumsQuartier Vienna, History museum of Bosnia in Sarajevo, Mala voadora Porto, TAF Athens, Kibla portal in Maribor, Slovenia, National Museum of Montenegro, Hošek Contemporary in Berlin, among other places.
SELECTED EXHIBITIONS AND FAIRS
2023 | California Dream (OMNIBUS: ISOLATION), Cultural Center of Belgrade, Art Gallery, Belgrade, Serbia |
2022 | MONUMENT: NO ONE IS LOST, Hošek Contemporary Berlin in cooperation with mala voadora, Porto, Portugal |
2021 | MONUMENT: NO ONE IS LOST, Muzej Savremene Umetnosti Vojvodine, Novi Sad, Serbia |
2020 | In Him We Trust, BITEF Theatre, Belgrade, Serbia |
2019 | Mother Tongue, Eugster || Belgrade, Belgrade, Serbia |
2018 | A Mirror to Reflect Myself Upon, TAF Theartfoundation, Athens, Greece |
2017 | Babylon the Great, Eugster || Belgrade, Belgrade, Serbia |
2016 | The Pleasure of Love, October salon (Belgrade biennial) curated by David Elliott, Belgrade, Serbia |
2015 | Like There Is No Tomorrow, BAR phase II, BAR Gallery, Beirut, Lebanon |
2014 | GOING BACK HOME, Prototip Gallery, Belgrade, Serbia |
2013 | Neighboring landscapes II, SC Gallery, Zagreb, Croatia |
2012 | 61 days in Harlem, Gallery FLU, Belgrade, Serbia |
2011 | Palmsprings, Sound and Visions festival, Majdanpek, Serbia |
2009 | Boudoir, Gallery Eurocentar, Belgrade Serbia |
2008 | I am ready for you, MATT Concept Gallery, La Coruna, Spain |
2006 | European Solitude, Kunstpunkt, Dusseldorf, Germany |
PUBLICATIONS
2023 | FACING Morocco |