Milica Mijajlović (b. 1993) explores aesthetics of immigration, spectacle and trauma, largely influenced by the post-war years in the Balkans and her life between Serbia, Montenegro and central Europe. She likes to point out that, above all, she deals with love and its absence, as embodied in the abstract yet recognisable shapes reminiscent of explosions, eruptions, flowers or weapons, that are now part of her own visual language. Milica Mijajlović graduated from Academy of Arts, Architecture and Design in Prague (UMPRUM), and has, since then, shown independently and in groups at the Centre for Contemporary Art in Podgorica (Montenegro), City Surfer in Prague, East Topics residency in Budapest, Fotopub in Novo Mesto (Slovenia) etc.
Milica Mijajlović (b. 1993) explores aesthetics of immigration, spectacle and trauma, largely influenced by the post-war years in the Balkans and her life between Serbia, Montenegro and central Europe. She likes to point out that, above all, she deals with love and its absence, as embodied in the abstract yet recognisable shapes reminiscent of explosions, eruptions, flowers or weapons, that are now part of her own visual language. Milica Mijajlović graduated from Academy of Arts, Architecture and Design in Prague (UMPRUM), and has, since then, shown independently and in groups at the Centre for Contemporary Art in Podgorica (Montenegro), City Surfer in Prague, East Topics residency in Budapest, Fotopub in Novo Mesto (Slovenia) etc.
