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  • miart 2025: Booth E35, Marko Obradović and Saša Tkačenko

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We are delighted to be a part of this year’s edition of miart, where we’ll be presenting a dialogue between the works of Marko Obradović and Saša Tkačenko. This presentation between Marko’s and Saša’s works deals with questioning of where the power comes from, how it shapes networks, hierarchies, corporate and economical power, and then delves into all that (those) it leaves behind.

The fair will take place from 4 to 6 April 2025 (with a VIP preview on 3 April). Find us at the booth E35 in the Emergent section, curated by Attilia Fattori Franchini, at Allianz MiCo – Level 0, viale Scarampo, in Milan, Italy.

Opening hours
Thursday (VIP Preview): 13.00 – 21.00
Friday and Saturday: 11.30 – 20.00
Sunday: 11.00 – 19.00Keyhole 5, 2025, Marko Obradović (detail)

Marko Obradović (1998) is a visual artist from Belgrade, Serbia. His practice includespainting, printmaking, installation and video. Obradović’s exploration centres on ephemeralqualities of identity and spirituality. His pieces function as scene studies that immerse hissubjects in liminal scenarios, creating speculative narratives. Themes of abjection, trans-humanism and esotericism are at the centre of his practice. Marko graduated from thepainting department at the Faculty of Fine Arts in Belgrade. He has had various shows in theprior years, both local and international, some of which were group shows at Eugster ||Belgrade (Belgrade, 2022), Kula Gallery, in collaboration with Voždovačka galerija (Belgrade,2022), a group presentation at Vienna Contemporary (2023), and recent solo shows at DeBouwput gallery (Amsterdam, 2022) and at CEJLA (Brno, 2023), with the next showcase beingpart of a group show in Berlinskej Model space, in Prague, in November 2024. His works havebeen acquired by LUKOWA Art Foundation
Honey I Cried Too, 2025, Saša Tkačenko (detail)

Saša Tkačenko currently lives and works in Zagreb, Croatia. His artistic practice engages spaces and their transformation when exposed to other media, as their architectural features interact with sculpture, video and installation. Tkačenko’s works thus create dynamic situations in which the audience plays a constituent part, often reflecting on motives and stories from popular culture and contemporary human life. He has been exhibiting since 2008, including shows at institutions such as Centre Pompidou Paris, Museum of Contemporary Art Belgrade, mumok – Museum Moderner Kunst Vienna, Museum of Contemporary Art Zagreb, MNAC – National Museum of Contemporary Art Bucharest, Times Museum Guangdong, ACP – Australian Centre for Photography Sydney, Belgrade City Museum, Künstlerhaus Bremen, UnionDocs Center for Documentary Art New York, Castello di Rivoli – Museo di Arte di Contemporanea Torino. Tkačenko participated in artist-in-residence programs atISCP in New York and T.I.C.A-AirLAb Tirana Institute of Contemporary Art. His works were shown at art fairs such as Liste Art Fair Basel, Rewriting our imaginations organised by LISTE, Art Geneve, Flash Show Budapest, Not Cancelled (online). His works are in collections of the Museum of Contemporary Art in Belgrade and Telenor collection of contemporary art.

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